She also included the full speech transcription and included audio.
Journalism.co.uk: This podcast, which hails from the United Kingdom, analyzes the latest innovations in digital journalism, and features industry experts on how newsrooms are dealing with challenges and opportunities. The show’s recent podcast discussed the journalism skills and techniques to learn in 2015.
Sree Show: This is a brand new podcast by Sree Sreenivasan, who is the chief digital officer of the Meteripolitan Musuem of Art and a digital media profressor at Columbia Journalism School. In his podcast, Sree discusses practical tips on entrepreneurship, digital media and technology and interviews newsmakers and technology experts. The show’s debut episode was entitled “Demystifying technology, digital mentors and Wikipedia.”
It’s All Journalism: This is a weekly podcast about the changing state of media. It was created by three American journalists, WTOP FM Multimedia Reporter Megan Cloherty, Federal News Radio Web EditorMichael O’Connell and The Times-Picayune Politics Reporter Julia O’Donoghue. In this week’s episode, O’Connell interviewed a number of cartoonists on the recent fatal attack on Charlie Hebdo’s journalists.
Journalism/Works: This is a podcast by the Newseum Institute that focuses on “journalism that matters… that produce change, provide insight and that fulfill the watchdog on government mission envisioned for a free press in the First Amendment.” Among the topics that were discussed in these podcasts were women in sports media, free speech and reporting on the protests in Ferguson, Missouri.
Columbia Journalism School: This podcast from the Ivy League school features panel discussions and lectures by leading journalists in the field. One downside to this podcast is that the last episode was released almost a year ago. However, the archive of the previous podcasts is worthwhile.
Longform: This is a weekly show that interviews non-fiction writers and editors about how they got started, and how they tell stories. Sponsored by the writing program at the University of Pittsburgh, the podcast is produced by Longform, a website and app that curates daily articles, and Atavist, a digital publishing tool. The most recent episode of this podcast interviews Alex Blumberg, a former producer for This American Life and Planet Money. Blumberg currently hosts the podcast StartUp.
Global Journalist: This weekly podcast reports on the state of press freedom around the world, and covers developments in international journalism. “We tell the stories of the storytellers,” is how the people behind the show describe it. Among the topics that were discussed on this show were press freedom in Azerbaijan, censorship in Turkey and the future of international journalism.
PBS Mediashift’s Mediatwits: Mediatwits focuses on the previous week’s media headlines: Fromhashtag activism to Taylor Swift removing her music from steaming service Spotify, the podcast covers a wide variety of news. Hosted by Mediashift Executive Editor Mark Glaser, the show features different journalists and media watchers as special guests each week.
How to Cover Money: This new weekly podcast from the Reynolds National Center for Business Journalism offers tips on reporting on the financial aspects of a story, even if you’re not a business journalist. Reynolds Director — and host — Micki Maynard encourages listeners to use it as a teaching tool too.
Great post from Nieman Lab on the results of NPR’s experience trying to make audio more shareable. Read the full piece here.
In a nutshell:
“They teach you something through a simple, quick, and interesting audio clip. Like, how to sound like an Austinite (36,000 listens). Or, alternatively, how to sound like a Pacific Northwesterner (89,800 listens). Or the scientific reason tomato juice tastes better on planes (34,800 listens).”
2. Whoa Sounds
“A Whoa Sound should make you react that way — whoa. And many people did when they shared a Whoa Sound on Facebook or Twitter. This category captures the fascinating sound of a place, a person, wildlife, or something else.”
“Storytellers, plucks out those experiences that have the makings of driveway moments. Like a doctor’s harrowing attempt to save a boy dying from Ebola (10,400 listens)”
4. Snappy Reviews
“Tell the listener what something’s all about. A movie, a book, a local attraction. Do it in a concise audio clip.”
Numbers and headlines can be tricky. AP style says to write out numbers one though nine; however in headlines this is often reversed for impact.
From KU’s website:
Number, please: Numbers often go against AP style in headlines. For example, you may start a sentence with a number and, even though that number is below 10, you do not have to spell it out. (Note: For best results, please view in the full-width of your computer screen.)
YES: Example: 3 die in crash
NO: Three die in crash
However, whenever possible, follow AP rules.
Here’s a WDET example:
YES: 2 Low-fare Airlines To Add Nonstop Services at Detroit Metro Airport
NO: Two Low Fare Airlines To Add Nonstop Services at Detroit Metro Airport
And finally, from the Guardian:
The following was forwarded by Jerome Vaughn to staff. Highlights in red are added.
Also, check out this slideshow.
Radio’s Most Innovative: WTOP Digital
October 24, 2014
By Fred Jacobs
There are many factors that have contributed to Hubbard Radio’s All-News WTOP in Washington, D.C., being the top billing station in the United States for the last four years running. They were one of the first News/Talk stations to make the leap to FM, which significantly improved their market coverage, and in turn, the ratings. WTOP also excels at understanding the essence of their market. Their focus on the federal government and the area’s heinous traffic problems go to the heart of their connection with their local audience.
From top to bottom, WTOP is staffed with a group of professionals who are laser-focused on building an amazing media brand. From their manager Joel Oxley to programmers like Jim Farley and Laurie Cantillo, WTOP’s staff is at the top of its game in information delivery, serving its listeners, advertisers, and its expanding community.
RMI Meyer 1 Today’s honor is focused on the commitment they’ve made to their digital properties, an important part of the WTOP brand that is truly cutting edge. With support from their parent company, WTOP is playing a long game, investing wisely in their digital resources to help serve an ever-changing audience.
In an announcement that the station was once again the nation’s top radio revenue producer last year, Mark Fratrik, SVP/Chief Economist for BIA/Kelsey, said, “WTOP is morphing into a digital media company by providing access to its audience in many different ways beyond over-the-air. Their approach is serving them well and their model demonstrates that as the industry continues to adopt a multi-platform approach, it will engage audiences and sustain growth.”
For this week’s edition of Radio’s Most Innovative, we spoke to John Meyer, WTOP’s director of Digital Media, who shared his insights on what this media brand is doing differently from other radio stations in the format, and how those efforts have paid off.
Jacobs Media: WTOP is more than just a transmitter and tower. What is the vision for satisfying the D.C. area’s need for information?
John Meyer: People don’t fall in love with distribution platforms, they connect with brands. It’s all about great content. Our vision is to continue to build on the success of WTOP and be the number one NEWS brand in the D.C. region. While radio is – and will continue to be – a key component of our strategy, we aspire to be the news leader on ALL platforms in traditional and new media. WTOP competes with local television, digital news sites, and the Washington Post.
JM: In a world where traffic, school closings, news headlines and other information are becoming on-demand, how does WTOP use innovation to adapt?
Meyer: It’s all about the “value add.” Sure, you can get much (not all) of that information from other sources. What WTOP brings is credibility and trust, speed, analysis, and detail. We have newsmakers and A-list guests on consistently who break down and advance our top stories. We challenge our reporters to produce more exclusive content, so our competitors follow US. We need to continue to find ways to de-commoditize information.
JM: Thinking about what WTOP was just a decade ago. What is an innovation that has really transformed the brand?
Meyer: Our commitment to and investment in digital. WTOP got on board early, not because digital was the shiny, new thing, but because it makes good business sense for us. We now have 15 people dedicated to content for WTOP.com and traffic has grown accordingly.
JM: What’s the most innovative thing you’re doing on the digital front?
Meyer: Innovation can be a bit of a trap. We are careful not to do things just because we can or because they are cool. What we do isn’t necessarily sexy. You don’t read a lot of stories about how organizations are using text to build their business. But people still appreciate good storytelling on the web. We focus a lot on original digital content.
Infrastructure is another area in which WTOP is innovative (also not particularly sexy.) In order to compete in the digital space, you need to have experienced writers and editors. We don’t necessarily look to hire broadcasters as much as we look for good writers. We look to the digital and print world when we hire now.
JM: How is WTOP.com different from other radio station websites?
Meyer: We don’t think of ourselves as a radio station website. Digital provides a great opportunity for us to expand our news brand beyond the car. WTOP can now be a news source on the phone, desktop, and tablet. In order to be credible in this arena, it takes resources. We have dedicated significant resources in the form of people and technology to create a viable digital product. We have a focused strategy on building digital traffic and driving page views. This, in turn, feeds our business model, which is primarily display advertising.
JM: Can you share some stats on your website traffic?
Meyer: WTOP.com receives around 20 million page views per month and is visited by over 2 million monthly unique users. About 40% of our traffic is mobile (including tablet.)
JM: What are some of the things you’ve done to drive that sort of traffic?
Meyer: We have three primary tenets of our traffic strategy:
1. Create and maximize quality original content.
2. Maximize the side door. We have very specific goals for traffic driven from Facebook and Twitter.
3. Use metrics to maximize the performance of our homepage.
JM: Can you expand on how you use metrics to maximize performance? What numbers do you look at and can you explain how the site’s schedule of five “editions” works?
Meyer: We operate our website on a more traditional print model. We publish editions throughout the day. While we constantly post timely or breaking news on our site, we have five benchmark times throughout the day when we have editorial meetings. During these meetings we take a closer look at how the site is performing, what new stories are developing, and we check the overall balance of the site.
From a metrics standpoint, we have tools that will tell us how every position on our homepage is performing. When we see a story that’s not performing well, we will either move it, tweak the headline, or possibly rotate it off the site. While we don’t make decisions strictly on the metrics, they are a good guideline as we make editorial decisions and maximize the performance of our site.
JM: Which way does content flow most often: from the website to the air or from the air to the website?
Meyer: A large part of our content still originates from broadcast stories. However, we have recently hired four new section editors (entertainment, living, sports, and tech). They are primarily responsible for writing an original story for the website each day and also to provide audio content for radio. We are finding that it is generally easier to take a longer piece and condense it for broadcast than to take short copy and add detail.
JM: With the website and station acting independently, what is your overall strategy for utilizing social media?
Meyer: I wouldn’t say that we act completely independently. Our digital and broadcast editors sit next to each other and are in constant communication. In terms of social media, we primarily use Facebook and Twitter. Facebook is used to drive traffic to our website. We are posting throughout the day. Our Twitter strategy is a bit different. We definitely use it to promote our stories. But also to promote things we have coming up on the radio station, with a link to listen live. In a breaking news situation, we use Twitter to plant our flag in a story. We will go to Twitter and send mobile alerts before we go on-air or online.
JM: Traffic is a big part of the WTOP brand. How has it been adapted for digital?
Meyer: We are currently in the process of developing some new digital traffic offerings that will be available in early 2015. Stay tuned.
JM: Are your investments paying off? Are your digital efforts profitable?
Meyer: Yes. We have always been very focused on our business model and continue to adjust to maximize its profitability.
Meyer: A few years ago we invested pretty heavily in video. The problem was that we were doing video for the sake of doing video. People don’t come to a website because they want to watch video. They come because they want to watch a sports highlight or an episode of The Wire. We weren’t very good at video and no one consumed it. Now we use video more organically, if it enhances or elevates a story.
JM: What advice do you have for someone who has an innovative idea but doesn’t know where to begin trying to make it happen?
Meyer: Follow the money. Who could financially benefit from the idea? What is the business model behind the idea?
The NPR Borderlands project inspires for so many reasons.
The project incorporates beautiful photography, video, audio, mapping, interactive data visualizaton and prose to weave together a gorgeous narrative that tells the story of the U.S — Mexico border.
This approach could work well to tell the story of Detroit’s borders; perhaps as an expansion of WDET’s Crossing the Lines series. Troubles along the border with Grosse Pointe, the history and evolution of 8 Mile Rd., and regional cooperation and conflict around issues of water, transit, energy, tourism, conventions, economic development and more could be dealt with in an interactive, data-driven, visual manner to incorporate audience engagement.
Or any other manner of topics that would benefit from multi-faceted reporting.